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46. It is alsothe reason why when we try to describe music with words, all we can do is articulate our reactions to it, and not grasp music itself.

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¡¡¡¡¡¾ÒëÎÄ×ܽ᡿ÕâÒ²ÊÇΪʲôµ±ÎÒÃÇÊÔͼÓÃÓïÑÔÀ´ÃèÊöÒôÀÖʱ£¬ÎÒÃÇÖ»ÄÜÃ÷È·±í´ïÎÒÃǶÔÓÚÒôÀֵĸÐÊÜ£¬¶ø²»ÄÜÍêÈ«Àí½âÒôÀÖ±¾Éí¡£

¡¡¡¡47. By all accounts hewas a freethinking person, and a courageous one, and I find courage an essential quality for the understanding,

¡¡¡¡let alone the performance, of his works¡£

¡¡¡¡¡¾¾äÐÍ·ÖÎö¡¿±¾¾äΪ²¢Áоä¡£µÚÒ»¸ö·Ö¾ähe was a freethinking person, and a courageous one£¬¾äÊ×byall accountsΪ¹Ì¶¨´îÅ䣬Òâ˼ÊÇ“¸ù¾Ý¸÷·½Ãæ˵”¡£µÚ¶þ¸ö·Ö¾äµÄÖ÷¸ÉΪI find courage

¡¡¡¡an essential quality£¬ÆäÖбöÓïΪcourage£¬¶øanessential qualityÊDZöÓï²¹×ãÓï¡£qualityºó½é´Ê¶ÌÓïforthe understanding of his workΪÆ䶨ÓÆäÖл¹°üº¬Ò»¸ö²åÈë½á¹¹let alone the performance¡£

¡¡¡¡¡¾·­ÒëÒªµã¡¿¢Ù µÚÒ»¸ö·Ö¾ä½á¹¹±È½Ï¼òµ¥£¬¾äÊ׹̶¨´îÅäbyall accounts£¬¿ÉÒÔµ÷Õû±í´ï£¬·­ÒëΪ“¾Ý´ó¼ÒËù˵”¡£Ö÷¸É˳Òë¼´¿É£¬ÆäÖÐheÖ¸´ú“±´¶à·Ò”£¬oneÖ¸´úperson¡£ÕâÒ»²¿·Ö¿ÉÒÔ·­ÒëΪ“±´¶à·ÒÊǸö˼Ïë×ÔÓÉ¡¢³äÂúÓÂÆøµÄÈË”¡£

¡¡¡¡¢ÚµÚ¶þ¸ö·Ö¾ä£¬Ö÷¸ÉΪ“ÎÒ·¢ÏÖÓÂÆøÊÇÒ»¸ö¹Ø¼üÆ·ÖÊ”£¬qualityºóΪÆ䶨Óïfor

¡¡¡¡the understanding of his work£¬ÆäÖÐtheunderstanding of his workÒâ˼Ϊ“¶ÔÓÚÆä×÷Æ·µÄÀí½â”£¬×ö´ÊÐÔת»¯ºó£¬¿ÉÒÔ±í´ïΪ“Àí½âÆä×÷Æ·”£¬Õâ¸ö½é´Ê¶ÌÓïÐèÒªµ÷ÕûÓïÐòÇ°ÖÃÓÚquality£¬¿ÉÒÔ·­ÒëΪ“Àí½âËû×÷Æ·µÄ¹Ø¼üÆ·ÖÊ”£¬ÔòµÚ¶þ¸ö·Ö¾ä¿ÉÒÔ±í´ïΪ“ÎÒ·¢ÏÖÓÂÆø£¬ÊÇÀí½âËû×÷Æ·µÄ¹Ø¼üÆ·ÖÊ”¡£»¹¿ÉÒÔµ÷Õû±í´ïΪ“ÎÒ·¢ÏÖÓÂÆøÕâһƷÖÊ£¬ÊÇÀí½âËû×÷Æ·µÄ¹Ø¼ü”¡£

¡¡¡¡¢ÛÔÚ¶¨Óïfor the understanding of his workÖеIJåÈë³É·Ö£¬ÔÚÂß¼­ÉÏletalone²¢ÁÐthe understandingºÍtheperformance£¬¶þÕß¹²Óö¨Óïof his works£¬Ë³Òë¾äÄ©¼´¿É£º¸ü²»±Ø˵ÊÇÑݳöÆä×÷Æ·µÄ¹Ø¼üÆ·ÖÊ¡£

¡¡¡¡¡¾ÒëÎÄ×ܽ᡿ÈËÃÇÆÕ±éÈÏΪ£¬Ëû(±´¶à·Ò)ÊǸö˼Ïë×ÔÓÉ¡¢³äÂúÓÂÆøµÄÈË£¬ÎÒ·¢ÏÖÓÂÆøÕâһƷÖÊ£¬ÊÇÀí½âËû×÷Æ·µÄ¹Ø¼ü£¬¸ü²»±Ø˵ÊÇÑݳöÆä×÷Æ·µÄ¹Ø¼ü¡£

¡¡¡¡48. Beethoven’shabit of increasingthe volume with an extreme intensity and then abruptly following it with a sudden soft passage wasonly rarely used by composers before him¡£

¡¡¡¡¡¾¾äÐÍ·ÖÎö¡¿±¾¾äÖ÷¸ÉΪBeethoven’s habit was used by composers before him¡£±¾¾äµÄνÓïΪ±»¶¯Óï̬£¬Ö÷Óïhabitºó½é´Ê¶ÌÓïof

¡¡¡¡increasing the volume withan extreme intensity and then abruptly following it with a suddensoft passageΪÆ䶨ÓÊÇÓɽé´ÊofÓëand²¢ÁеÄÁ½¸ö¶¯Ãû´Ê¶ÌÓïincreasingthe volume with an extreme intensity ºÍthen abruptly following it with a sudden soft passage¹¹³É¡£

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¡¡¡¡¢Ú±¾¾äÖ÷¸ÉÒâ˼Ϊ“ÔÚËû֮ǰ£¬×÷Çú¼ÒºÜÉÙʹÓñ´¶à·ÒµÄÏ°¹ß”¡£ÖÐÎÄÓïÒåÖØÐÄÔں󣬽«±¾²¿·Ö·­ÒëÔÚ¾äÄ©¼´¿É¡£ÓÉÓÚÇ°¾äÒëÎÄÒѾ­Ìáµ½ÕâÖÖÏ°¹ß£¬ÔòÕⲿ·Ö¿ÉÒÔ±í´ïΪ“ÔÚËû֮ǰ£¬×÷Çú¼ÒºÜÉÙʹÓÃÕâÖÖÏ°¹ß”£¬½áºÏÓï¾³»¹¿ÉÒÔ±í´ïΪ“ÔÚËû֮ǰ£¬×÷Çú¼ÒºÜÉÙʹÓÃÕâÖÖ·½Ê½”£¬»òÕß“ÔÚËû֮ǰ£¬Ö»Óм«¸ö±ð×÷Çú¼Ò»áʹÓÃÕâÖÖ·½Ê½”¡£

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¡¡¡¡49) Especially significant was his view of freedom,which, for him, was associated with therights and responsibilities of the individual: he advocated freedom of thought and of personal expression¡£

¡¡¡¡¡¾¾äÐÍ·ÖÎö¡¿±¾¾äΪÍêÈ«µ¹×°£¬Ö÷¾äµÄÖ÷¸ÉÊÇhis view of freedom was Especially significant¡£

¡¡¡¡his view of freedomºóΪwhichÒýµ¼µÄ·ÇÏÞ¶¨ÐÔ¶¨Óï´Ó¾ä£¬ÐÞÊÎfreedom£¬¹Øϵ´ú´ÊwhichÔÚ¶¨Óï´Ó¾äÖÐ×÷Ö÷Óï¡£ofthe individualÐÞÊÎthe rights and responsibilities£¬Ã°ºÅºó½øÐнâÊÍ˵Ã÷¡£

¡¡¡¡¡¾·­ÒëÒªµã¡¿

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¡¡¡¡¢Ú whichÒýµ¼Ó¢Óï´Ó¾ä£¬ÐÞÊÎfreedom£¬±í´ïʱ·­Òë³ÉÁíÒ»¾ä»°“¶ÔÓÚËû¶øÑÔ£¬ÕâÖÖ×ÔÓÉÊÇÓë¸öÈ˵ÄȨÀûºÍÔðÈÎÁªÏµÆðÀ´µÄ”£¬ÆäÖÐforhim»¹¿ÉÒÔµ÷Õû±í´ïΪ“ËûÈÏΪ”¡£

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¡¡¡¡50. Onecould interpret much of the work of Beethoven by saying that suffering is inevitable,

¡¡¡¡but the courage to fight it renders life worth living¡£

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