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ÎÊÌâ¶þ£º ÔĶÁÀí½â²ôÔÓ³¤ÄѾ䣬Èÿ¼ÉúÔÚ¿ìËÙÔĶÁÖкÜÄÑÓ¦¶Ô   Ôì³É½ñÄêÔĶÁ³É¼¨´ó·ùϽµµÄÁíÒ»¸öÒòËØÊÇÎÄÕÂÖеij¤ÄѾä¶à£¬ÇÒÓÖÊÇÃüÌâµÄ¿¼µã¡£Àý£ºText 1 µÚ3¶Î£º We are even farther removed from the unfocused newspaper reviews published in England between the turn of the 20th century and the eve of World War II, at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the publications in which it appeared. In those far-off days, it was taken for granted that the critics of major papers would write in detail and at length about the events they covered. Theirs was a serious business, and even those reviewers who wore their learning lightly, like George Bernard Shaw and Ernest Newman, could be trusted to know what they were about. These men believed in journalism as a calling, and were proud to be published in the daily press. "So few authors have brains enough or literary gift enough to keep their own end up in journalism," Newman wrote, "that I am tempted to define ¡®journalism¡¯ as ¡®a term of contempt applied by writers who are not read to writers who are¡¯." (ÓëÎÒÃÇÀëµÃ¸üÔ¶µÄÊÇ20ÊÀ¼Í³õÓë¶þսǰϦ֮¼äÓ¢¹ú³ö°æµÄ°Ù»¨Æë·ÅµÄ±¨Ö½ÆÀÂÛ¡£ÄÇʱÐÂÎÅӡˢƷ¼Û¸ñµÍÁ®£¬²¢ÇÒʱÉеÄÎÄÒÕÅúÆÀ±»ÈÏΪÊǶԿ¯µÇËüÃǵijö°æÎïµÄ×°Êεã׺¡£ÔÚÄÇЩңԶµÄÈÕ×ÓÀÈËÃÇÈÏΪÀíËùµ±È»µÄÊÇ£¬Ö÷Òª±¨Ö½µÄÆÀÂÛ¼Ò³£³£Ïêϸ²ûÊöËûÃÇËù±¨µ¼µÄʼþ¡£ËûÃÇ´ÓʵÄÊÇÒ»ÏîÑÏËàµÄ¹¤×÷£¬²¢ÇÒ¼´Ê¹ÏñÏô²®ÄɺÍŦÂüÄÇÑùµÄÂôŪÎÄÄ«µÄÆÀÂÛ¼ÒÒ²¿ÉÒÔ±»ÈÏΪÊÇÉîÚÏËûÃÇËùÂÛÊöµÄÊÂÇé¡£ÕâЩÈËÉîÐÅÐÂÎÅÒµÊÇÒ»ÖÖְҵʹÃü£¬²¢ÇÒΪÔÚÕâЩÈÕ³£±¨ÕÂÔÓÖ¾ÉÏ·¢±íÎÄÕ¶ø×ÔºÀ¡£Å¦ÂüдµÀ£¬¡°Èç´ËÉÙµÄ×÷¼ÒÓµÓÐ×ã¹»µÄ²ÅÖǺÍÎÄѧÌ츳ÒÔ±ãÖÕÉí´ÓÊÂÐÂÎÅÒµ£¬ÒÔÖÁÓÚÎÒÏë°Ñ¡°ÐÂÎÅÒµ¡±¶¨ÒåΪ¡°Ã»ÓÐѧÎʵÄ×÷¼ÒÓ¦Óõ½ÓÐѧÎʵÄ×÷¼ÒÉíÉϵÄÒ»¸ö±ÉÊӵĴʡ±¡£¡±) Ô­ÎĵÚ1¾ä49¸ö´Ê£¬×îºóÒ»¾ä43¸ö´Ê£¬¾ùÊô³¤ÄѾä¡£¶øµÚ2ÌâµÄ¿¼µãÊDZ¾¶ÎµÚ1¾äÖеÄunfocusedÉÏ£»µÚ3ÌâµÄ¿¼µãÊDZ¾¶Î×îºóÒ»¾äµÄSo few authors ¡­ that ¡­ÉÏ¡£Çë¿´ÕâÁ½Ìâ: 2. Newspaper reviews in England before World War II were characterized by    [A] free themes.    [B] casual style.    [C] elaborate layout.    [D] radical viewpoints.   3. Which of the following would Shaw and Newman most probably agree on?    [A] It is writers¡¯ duty to fulfill journalistic goals.    [B] It is contemptible for writers to be journalists.    [C] Writers are likely to be tempted into journalism.    [D] Not all writers are capable of journalistic writing. µÚ2ÌâµÄ´ð°¸ÊÇ[A]£»µÚ3ÌâµÄ´ð°¸ÊÇ[D]¡£ÎÒÔÚÓ뿼Éú×ù̸ʱ£¬¼¸ºõÈ«²¿¿¼ÉúÔÚ¿¼³¡ÉÏûÓÐÀí½â¿¼µãµÄÒªÇó£¬Ò²¾ÍÊÇ˵ûÓÐÕæÕý¿´¶®Ïà¹ØµÄ³¤ÄѾä¡£Òò´ËÖ»ÄÜ¿¿²ÂÀ´´ðÌâ¡£½ÌѵÊÇÉî¿ÌµÄ£»½ñºó¸¨µ¼Ê±Ó¦¼ÓÇ¿³¤ÄѾäµÄÆÊÎöºÍ¿ìËÙÀí½â·½ÃæµÄѵÁ·¡£ËùÒÔ2011Äê´º¼¾°àÎÒÃÇ¿ªÉèÁË32ѧʱµÄ¡°³¤ÄѾä·ÖÎö¡¢·­ÒëºÍ´Ê»ãÁ·Ï°°à¡±ÒÔ±ã°ïÖú¿¼ÉúÌá¸ßÕâ·½ÃæµÄÄÜÁ¦¡£µ«ÊÇÎÒÃÇҲϣÍûÃüÌâר¼ÒÃǸù¾Ý¹«¹²Ó¢ÓÉúÓ¢Óïˮƽ²Î²î²»ÆëµÄ¿Í¹ÛÏÖʵÀ´µ÷ÕûÎÄÕ¾ä×ÓµÄÄѶÈ¡£ÎÒÃDz»ÄÜÓÃͬһ°Ñ³ß×ÓÀ´ÒªÇ󱨿¼±±¾©´óѧ¹ú¼Ê¹ØϵöλÔÓéÀֵǼÈë¿ÚÏÂÔصĿ¼ÉúºÍ±¨¿¼ÒÕÊõÀàµÄ¿¼Éú¡£²»Æ½ºâÊǾø¶ÔµÄ£¬Æ½ºâÊÇÏà¶ÔµÄ¡£ÄѵÀÃüÌâר¼Ò²»Ó¦¸ÃÍÆÇñç֤ΨÎïÖ÷ÒåµÄÕâÒ»»ù±¾¹æÂÉÂ𣿠 

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