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ɯʿ±ÈÑÇϲ¾çµÄ¹²Í¬Ìصã\n¢ÙÈËÎÄÖ÷Ò壬ËûÔÚ¾çÖп̻­Á˸ոհÚÍѷ⽨Êø¸¿µÄÄêÇáÈË£¬Ëû¸èËÌËûÃǵÄÇà´º£¬ËûÃǵİ®ÇéºÍÐÒ¸£¡£ÕâЩӢÐÛÊÇÎÄÒÕ¸´ÐËʱÆڵĶùÅ®¡£ËûÃDz»ÐÅÉϵۻò¹úÍõ£¬Ö»ÐÅ×Ô¼º¡£\n¡¾É¯ÍÁ±ÈÑÇËÄ´óϲ¾çÖеġ¶ÖÙÏÄÒ¹Ö®³þ¡·¡¢¡¶ÍþÄá˹ÉÌÈË¡·¡¢¡¶µÚÊ®¶þÒ¹¡·ºÍ¡¶½Ô´ó»¶Ï²¡·ÊÀ³Æɯʿ±ÈÑǵġ°ËÄ´óϲ¾ç¡±¡£\nËÄ´óϲ¾ç´ú±íÁËɯÍÁ±ÈÑÇϲ¾çÒÕÊõµÄ×î¸ß³É¾Í¡£Æä»ù±¾Ö÷ÌâÊǸèËÌ°®ÇéºÍÓÑÒê¡£\n¡¶ÖÙÏÄÒ¹Ö®ÃΡ·ÊÇÍþÁ®¡¤É¯Ê¿±ÈÑÇÇഺʱ´ú×îºóÒ»²¿Ò²ÊÇ×îΪ³ÉÊìµÄϲ¾ç×÷Æ·£¬Í¬Ê±Ò²ÊÇɯʿ±ÈÑÇ×îÖøÃûµÄϲ¾çÖ®Ò»¡£Õû²¿Ï·¾çÇéµ÷ÇáËÉ£¬ËüËù°üº¬µÄ£¬ÊÇ´¿¾»µÄ¿ìÀÖ£¬·Â·ðÊÇÒ»²¿Ï·¾çµÄ¿ñ»¶£¬ÖмäÒ²ÂÓ¹ýһ˿°®ÇéËù¹ÌÓеķ³ÄÕ£¬µ«ÒàÊǼÓÒÔ»¶ÀÖ»¯¡¢Ï²¾ç»¯µÄ¡£\nÔÚ¡¶ÍþÄá˹ÉÌÈË¡·ÖУ¬×÷Õßͨ¹ý°²¶«Äá°ÂµÄÐÎÏó£¬ÔÞÃÀÁËÓÑÒêºÍÈÊ°®¾«Éñ£¬ÓÖͨ¹ý°ÍÈøÄá°ÂºÍ±«Î÷櫵İ®Çé¹ÊÊ£¬ËµÃ÷ÕæÕý°®ÇéµÄ´¿½àÓëÆÓʵ¡£\n¡¶½Ô´ó»¶Ï²¡·¡¢¡¶µÚÊ®¶þÒ¹¡·ÖÐÄÇЩ׷Çó°®Çé×ÔÓɵÄÄêÇáÈËÀú¾­Ä¥ÄÑ£¬ÖճɾìÊô¡£×÷ÕßÎÞÇéµØÅúÅÐÁ˷⽨ÃÅ·§¹ÛÄî¡¢¼Ò³¤×¨ÖÆÅúÅÐÁËÖÐÊÀ¼ÍÒÔÀ´µÄ½ûÓûÖ÷ÒåºÍÃÉÃÁÖ÷Ò壬²¢ÔÚ¶Ô°®Çé×ÔÓɺ͸öÐÔ½â·ÅµÄÔÞÃÀÖУ¬±íÏÖÁËÈËÎÄÖ÷ÒåµÄÉú»îÀíÏë¡£¡¿\n1) Humanism:\nIn plays he portrayed the young peoplewho had just freed from the feudal fetter. He sang of their youth, their love and of happiness. The heroes and heroines were sons and daughters of Renaissance. They trust not in God or King but in themselves.\n\n¢Ú.´íÎóÉí·Ý£»\nɯʿ±ÈÑÇϲ¾çµÄÇé½Ú³£³£±»´íÎóµÄÉí·ÝËùÇýʹ¡¾º¬ÓдíÎóµÄÉí·ÝµÄÔªËØ£¬Íƶ¯Õû¸öÇé½ÚµÄ·¢Õ¹¡£¡¿¡£Å®ÐÔ½Çɫαװ³ÉÄÐÐÔ½ÇÉ«²¢²»ÉÙ¼û¡£ÈçÍþÄá˹ÉÌÈË¡¢µÚÊ®¶þÒ¹\n¡¶µÚÊ®¶þÒ¹¡·Twelfth Night(»ò¡¶¸÷ËìËùÔ¸¡·)ÊÇɯʿ±ÈÑÇÖøÃûϲ¾çÖ®Ò»,Ô¼×÷ÓÚ1600Ä꣬ȫ¾çÎåĻʮ°Ë³¡.Ö÷ÒªÇé½ÚÊÇ£ºÒÁÀûÀïÑǹ«¾ô°ÂÎ÷ŵÏò°ÂÀöάÑÇС½ãÇ󰮣¬ÂÅÔâ¾Ü¾ø.Õâʱ£¬Ò»¶ÔÂÏÉúÐÖÃú½º£µ½ÒÁÀûÀïÑÇ£¬ÔÚ¸½½üº£ÉÏÓöÄÑ.ÃÃÃÃÞ±°ÂÀ­¸Ä°çÄÐ×°£¬Í¶Éí°ÂÎ÷ŵ¹«¾ô¼ÒÖÐΪÊÌͯ£¬²¢³äµ±ÁË´úËûÏò°ÂÀöάÑÇС½ãÇó°®µÄʹÕß.°ÂÀöά櫶ÔÅ®°çÄÐ×°µÄÞ±°ÂÀ­Ò»¼ûÖÓÇé,¶øÞ±°ÂÀ­È´ÍµÍµ°®ÉÏÁ˹«¾ô.ºóÀ´£¬°ÂÀöάÑÇÅöÇÉÓöÉÏÞ±°ÂÀ­µÄÂÏÉúÐÖ³¤Î÷°Í˹ÐÁ£¬Á½ÈËÒÔÎó¾ÍÎóµØ½á³É·ò¸¾.¹«¾ôÒ²ºÍÞ±°ÂÀ­ÖճɾìÊô.È«¾çÒÔÐÖÃÃÏà¾Û£¬ÇéÈ˽áºÏ¶ø¸æÖÕ.\n\n2. Mistaken identities:\nThe plot of a Shakespearean comedy is often driven by mistaken identity. Sometimes this is an intentional part of a villain\u0027s plot, as in \"MuchAdo About Nothing\" when Don John tricks Claudio into believing that his fianc¨¦ has been unfaithful through mistaken identity. Characters also play scenes in disguise and it is not uncommon for female characters to disguise themselves as male characters.»òÕßÍþÄá˹ÉÌÈËÖеı«Î÷ÑÇ\n\n¢Û.°®µÄÖ÷Ì⣺\nÇàÄêÁµÈËΪ¿Ë·þÀ§ÄѶø½øÐеĶ·Õù£¬³£Óɳ¤±²ÒýÆð Àý£ºÂÞÃÜÅ·ÓëÖìÀöÒ¶\n\n¢Û.Theme of love:\nA struggle of young lovers to overcome difficulty, often presented by elders\n¢Ü.Characters:\n\n¢Ü.ÈËÎ\nµÚÒ»×飺ÄÐÇàÄêºÍÅ®ÇàÄꣻËûÃÇÉú»îÔÚÇà´ºµÄÊÀ½çÀÃÎÏë×Å»¶Ð¦£¬Îª×Ô¼ºµÄÐÒ¸£¶øÕ½¡£ÂÞÃÜÅ·ÓëÖìÀöÒ¶\nµÚ¶þ×飺¼òµ¥¾«Ã÷µÄС³ó¡¾ÏÄÂå¿Ë¡¿ºÍÆäËûÆÕͨÈË ÍþÄá˹ÉÌÈË\nÕâЩÈËÎïʹÕâ³öÏ·³äÂúÁËÓÄĬºÍЦÉù¡£É¯Ê¿±ÈÑÇϲ¾çµÄ³É¹¦Ôںܴó³Ì¶ÈÉϹ鹦ÓÚС³óµÄ³öÏÖ¡£Ã»ÓÐËûÃÇ£¬Ï·¾ç¾Í»á±äµÃ¿ÝÔ﷦ζ¡£\n\n¢Ý.Å®ÐÔ½ÇÉ«£º\nɯʿ±ÈÑÇ°ÑÅ®ÐÔ½ÇÉ«·ÅÔÚϲ¾çµÄÍ»³öλÖá£Ëû·Ç³£×ðÖظ¾Å®µÄ×ðÑÏ¡¢³Ïʵ¡¢Öǻۡ¢ÓÂÆø¡¢¾öÐĺÍ×ãÖǶàı¡£É¯Ê¿±ÈÑÇϲ¾çÖеÄÄêÇáÅ®Ö÷½ÇÐÔ¸ñ¶ÀÁ¢£¬ºÜÓвàÒíÐÔ¡£ËûÃDz»ÔÙÊܸ¸Ä¸»òÕÉ·òµÄ¿ØÖÆ¡£ËüÃÇÊÇÒ»ÖÖÐÂÐ͵Ä¡£ËûÃÇ»úÖÇ¡¢Ó¸Ò¡¢Óа®ÐÄ¡¢»¶Ð¦¡¢Öҳϡ£ËûÃÇ¿ìÀÖ£¬ÈñðÈË¿ìÀÖ¡£ËûÃÇ°ÑÃüÔËÕÆÎÕÔÚ×Ô¼ºÊÖÖС£ÔÚ˵»°¡¢Ë¼¿¼ºÍ¸Ð¾õÉÏ£¬ËûÃÇÊÇƽµÈµÄ£¬ÉõÖÁÊÇÈ˵ÄÉϼ¶¡£É¯Ê¿±ÈÑǵÄϲ¾ç³äÂúÁË×ʲú½×¼¶Ë¼Ï룬¾ßÓнø²½µÄÒâÒå¡£½áºÏPortia\n\nUsually there are two groups of\ncharacters in Shakespeare\u0027s comedies. The first group is composed of characters of young men and young women. They live in the world of youth and dreams of laughter, and fight for their happiness. The second group consist simple and shrewd clowns and other common people, These characters make the play full of humor and laughter. The success of Shakespeare\u0027s comedies owes much to the appearance of clowns. Without them the plays would becom edull and humorless.\n¢Ý.Female characters:\nShakespeare put women characters at a prominent place in comedies.He showed great respect for the dignity, honesty, wit, courage, determination and\nresourcefulness of women. The young heroines in Shakespeare\u0027s comedies are independent in character and very flank. They are no longer controlled by their parents or husbands. They are of a new type. They are witty, bold, loving, laughing and faithful.They are happy and make others happy. They carry their destinies in their own hands. In speaking, thinking and feeling they are equals or even superiors of men. Shakespeare\u0027s comedies are imbued with bourgeois ideas and show progressive significance.\n2.ËĴ󱯾çÓ뱯¾çÌص㣺¡¾¼ò´ðËزġ¿\n¢Ù.¹þÄ·À×ÌØ£ºÓëÍâ½çµÄа¶ñ×÷¶·Õù£»Hamlet:fighting against the outside evil;\n¢Ú.°ÂÈüÂÞ£ºÍâÔڵĶñʹÈ˶éÂ䣻Othello:an outward evil causes a man\u0027s fall;\n¢Û.Àî¶ûÍõ£ºÈ˵ĴíÎóÊÍ·Åа¶ñ£»King Lear:man\u0027s mistakes set free the evils;\n¢Ü.Âó¿Ë°×£»Íâ½çµÄа¶ñ»ÙÃðÓ¢ÐÛ¡£Macbeth; an outward evil destroys a hero.\n1) ¹²Í¬Ö÷Ì⣺humanism¡¾ÁªÏµ½×¶ÎÎÄѧÌØÕ÷¡¿\n¢Ù.ÈËÎÄÖ÷ÒåÖ÷È˹«ÀíÏëµÄ»ÃÃð£¬ÈËÎÄÖ÷ÒåÀíÏëÓë²Ð¿áµÄÏÖʵ£»\n¢Ú.ÈËÏëÕÆ¿Ø×Ô¼ºµÄÃüÔË£»\n¢Û.×ʲú½×¼¶µÄÐËÆ𣬷´Ó¦ÁËȨÀûµÄ±ä¸ü£»\n¢Ü.±¯¾çµÄ½á¾ÖÊÇżȻÐÔÓë±ØÈ»ÐԵĽáºÏ£¬±¯¾çµÄÔ­ÒòÊÇÉç»áÒ²ÊÇÈË¡£\n¢Ù. The disillusionment of the ideal of the hero of humanism, the ideal of humanism and the cruel reality;\n¢Ú. People want to control their own destiny;\n¢Û. The rise of the bourgeoisie reflects the change of rights;\n¢Ü. The end of tragedy is the combination of contingency and inevitability. The reason of tragedy is that society is also human.\n2)±¯¾çÖÐÈËÎïµÄ¹²Í¬Ìص㣺\n¢Ù.ÿһ¸öÈËÎﶼÊÇÒ»¸öÓ¢ÐÛ£¬Ãæ¶ÔÈËÉúµÄ²»¹«£¬ÏÝÈëÀ§¾³¡£ËûµÄÃüÔËÓëÕû¸öÃñ×åµÄÃüÔËϢϢÏà¹Ø¡£King Lear\n¢Ú.±¯¾çÊÇżȻÐÔÓë±ØÈ»ÐԵĽáºÏ£ºÃ¿¸öÓ¢ÐÛ¶¼ÓÐËûµÄÈõµã¡£ÓÇÓôµÄѧÕßÍõ×Ó¹þÄ·À×ÌØÃæÁÙ×ÅÐж¯ÓëÐÄÁéµÄÁ½ÄÑÑ¡Ôñ¡£°ÂɪÂÞÄÚÐĵÄÈõµã±»Íⲿа¶ñÊÆÁ¦ÀûÓÃÁË¡£ÀÏÀî¶ûÍõ²»Ô¸ÍêÈ«·ÅÆú×Ô¼ºµÄȨÁ¦£¬Ê¹×Ô¼º±¥Êܱ³ÅѺͲ»ÖÒÖ®¿à¡£Âó¿Ë°×¶ÔȨÁ¦µÄ¿ÊÍû¼¤ÆðÁËËûµÄÒ°ÐÄ£¬µ¼ÖÂËû²»¶Ï·¸×ï¡£\n¢ÙEach portrays is some noble hero, who faces the injustice of human life and is caught in a difficult situation. His fate is closely connected with the fate of the whole nation.\n¢Ú. The combination of contingency and inevitability:\nA Each hero has his weakness of nature. Hamlet, the melancholic scholar-prince, faces the dilemma between action and mind. Othello\u0027s inner weakness is made use of by the outside evil force. The old king Lear, who is unwilling to totally give up his power, makes himself suffer from treachery and infidelity. And Macbeth\u0027s lust for power stirs up his ambition and leads him to incessant crimes.\n¢Û.Õû³öϷͨ³£ÒÔÖ÷È˹«ÎªÖ÷ÖÐÐÄ¡£ÔÚ¿Ì»­Ö÷È˹«ÈíÈõ»òÆ«¼ûµÄͬʱ£¬Ò²±©Â¶³ö¸öÈËÓëÉç»áа¶ñÊÆÁ¦Ö®¼äµÄ¼âÈñ³åÍ»¡£\n¢Û.The whole play is usually centered about the hero. And along with the portrayal of the weakness or bias of the hero, the sharp conflicts between the individual and the evil forces in the society is also revealed.¢àFeatures of Shakespeare¡¯s Drama£¨É¯Ê¿±ÈÑÇÏ·¾çÌص㣩