öλÔÓéÀֵǼÈë¿ÚÏÂÔØ

¶ÅÂ×´óѧ£¨The University of Durham£©µÄÒôÀÖöλÔÓéÀֵǼÈë¿ÚÏÂÔØ£¨BA Music£©ÊÇΪÆÚÈýÄêµÄ±¾¿ÆÏîÄ¿¡£¸ÃöλÔÓéÀֵǼÈë¿ÚÏÂÔؽ«´«Í³ÓëÏÖ´úÒôÀÖÑо¿Ïà½áºÏ¡£Ñ§Éú¼ÈҪѧϰÖîÈçºÍÉù¡¢¶Ôλ¡¢ÒÔ¼°Ìý¾õ·½ÃæµÄ¼¼ÄÜ£¬ÓÖÒªÑо¿ÒôÀÖѧ·½Ãæ×îеÄ˼Ï룬ÅúÅÐÐÔÀíÂÛ¡¢×÷Çú¡¢·ÖÎö¡¢Ãñ×åÒôÀֺͱíÑݵÈ¡£´ËÍ⣬ѧУӵÓж¥¼¶µÄÓ¢Óï´óʦ£¬ÆäÉó¤ÁìÓò°üÀ¨19ÊÀ¼ÍºÍ20ÊÀ¼ÍµÄÓ¢¹úÒôÀÖ£¬ËÕÁªÒôÀÖ£¬º«¹úºÍÓ¡¶ÈÒôÀÖ£¬Á÷ÐÐÒôÀÖ£¬ÒôÀÖ¼¼Êõ£¬±íÑÝ¡¢ÒôÀÖÈÏÖª¡¢´«Í³ÒôÀֺ͵±´ú×÷ÇúµÈ¡£

ÒôÀÖöλÔÓéÀֵǼÈë¿ÚÏÂÔؽéÉÜ

µÚÒ»Ä꣬ËùÓÐѧÉú½«ÐÞ¶ÁÏàͬµÄ¿Î³Ì£¬Á˽âÒôÀÖ·½Ã淶Χ¹ãÀ«µÄÁìÓòºÍ·½·¨¡£¸ÃѧÄê°üº¬ÁùÃſγÌ£º

• Historical Studies 1 ÀúÊ·Ñо¿1
• EITHER Performance 1: Listening and Performing Practice Through History (with Recital) ±íÑÝ1£ºÀúÊ·ÒôÀÖµÄÐÀÉÍÓë±íÑÝ
• Musical Techniques (Harmony and Counterpoint) ÒôÀÖ¼¼ÄÜ£¨ºÍÉùÓë¶Ô룩
• Composition 1: Twentieth Century Innovations£¨×÷Çú1£º21ÊÀ¼Í´´Ð£©
• Introduction to Ethnomusicology £¨Ãñ×åÒôÀÖѧ½éÉÜ£©
• Analysis 1: Elements of Tonal Theory and Practice £¨·ÖÎö1£ºÉùµ÷ÀíÂÛÓëʵ¼ù£©

µÚ¶þÄ꣬ѧÉú½«Ñ§Ï°Ò»ÃűØÐ޿γÌ£ºÀúÊ·Ñо¿2£º21ÊÀ¼Í£¬²¢ÇÒÑ¡Ôñ5ÃÅÑ¡Ð޿γÌ¡£¾ßÌåµÄ¿Î³Ì°üÀ¨£º

• Composition 2: New Directions in Art Music ×÷Çú2£ºÒÕÊõÒôÀÖµÄз½Ïò
• Creative Music Technology ´´ÐÂÒôÀÖ¼¼Êõ
• Performance 2: Practice as Research  ±íÑÝ2£ºÊµ¼ùÑо¿
• Advanced Musical Techniques  ¸ß¼¶ÒôÀÖ¼¼ÇÉ
• Theory and Analysis  ÀíÂÛÓë·ÖÎö
• Orchestration ÀÖÆ÷±àÅä
• Conducting Ö¸»Ó
• World Music Traditions ÊÀ½çÒôÀÖ´«Í³
• Studies in Popular Music Á÷ÐÐÒôÀÖÑо¿
• Studies in the History of Opera ¸è¾çÀúÊ·Ñо¿
• Music and Science ÒôÀÖÓë×ÔÈ»¿Æѧ
• Philosophy, Music and Improvisation. ÕÜѧ¡¢ÒôÀÖÓë¼´ÐË·¢»Ó

µÚÈýÄêµÄ¿Î³ÌΧÈƱÏÒµÏîÄ¿½øÐУ¬Ñ§ÉúÐèÒª´ÓÀÏ¿¾Ñ¼ÑÅ˼ÒÔÏÂÄÚÈÝÖÐÑ¡ÔñÒ»ÏîÍê³É£ºÒôÀÖѧÂÛÎÄ£¬×÷Çú×÷Æ·¼¯£¬¼¼ÇÉ×÷Æ·¼¯£¬»òÕßÒ»¶Î40·ÖÖӵĵ¥¶À±íÑÝ¡£´ËÍ⣬ѧÉú»¹ÐèҪѡÔñ4ÃÅÑ¡Ð޿νøÐÐѧϰ£¬¾ßÌå¿Î³Ì°üÀ¨£º

• Contemporary Music Performance µ±´úÒôÀÖ±íÑÝ
• Music and Politics in France 1789–1814 ·¨¹úÓ¢ÓïÓëÕþÖΣ¨1789-1814£©
• The Music of India Ó¡¶ÈÒôÀÖ
• Performance 3: Recorded Performance Project ±íÑÝ3£ºÂ¼ÖƱíÑÝÏîÄ¿
• Time and Rhythm ʱ¼äÓëÔÏÂÉ
• Studies in Electronic Music µç×ÓÒôÀÖÑо¿
• Psychology of Music ÒôÀÖÐÄÀíѧ
• Advanced Ethnomusicology ¸ß¼¶Ãñ×åÒôÀÖ
• Studies in Symphonic Analysis ½»ÏìÀÖ·ÖÎöÑо¿
• Words and Music ´Ê»ãÓëÒôÀÖ
• Britten’s Chamber Opera’s ²¼Àï¶ÙµÄСÐ͸è¾ç
• Music Theology ÒôÀÖÉñѧ

ÒôÀÖöλÔÓéÀֵǼÈë¿ÚÏÂÔØÑÅ˼³É¼¨ÒªÇó

ÉêÇë¶ÅÂ×´óѧÒôÀÖöλÔÓéÀֵǼÈë¿ÚÏÂÔصÄѧÉúÐèÒª´ïµ½ÑÅ˼×Ü·Ö6.5·Ö£¬Ìý˵¶ÁдËĸöµ¥Ïî²»µÍÓÚ6.0·ÖµÄ³É¼¨¡£