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Unit 16
On climbing-frames in the smarter neighbourhoods of Los Angeles, white kids occasionally shout to each other in Spanish. They learn their first words from Mexican nannies who are often working illegally, just like the maids who scrub floors and the gardeners who cut their lawns, which helps to explain why fixing America’s broken immigration system is proving so difficult. Californians, no less than the residents of other states, find illegal immigration distasteful. Yet they depend on immigrants for even such intimate tasks as bringing up their children.
This week the Senate was trying again to reconcile these contradictory impulses. It seemed close to the promise of legalisation for the nation’s roughly 12m illegals, some 2.5m of them in California alone. But their cases will not be considered until the border is deemed to have been made more secure and the current stockpile of legal immigrants is cleared—something that will take at least eight years. Worse, from the immigrants’ point of view, they will probably have to leave the country and then petition to return, in what is known as “touch-back”.
If it becomes law, the Senate bill will transform America’s immigration system. Following the lead of Canada, Australia, New Zealand and Britain, America would adopt a points system that will give priority to the sort of young, employable immigrants who are most likely to contribute to the economy. Family ties, essential in deciding immigration claims since the 1960s, would become less important.
Immigrant advocates have become more militant. Last year huge, mostly orderly crowds gathered on the streets of Los Angeles, Chicago and other cities to protest against a bill, passed by the House of Representatives, that would have criminalised illegal immigrants. Many carried American flags. Rallies earlier this month, by contrast, were dominated by professional protesters. In Los Angeles a small and occasionally angry crowd clashed with police. Protesters have called for another rally next month in Hollywood.
Although the pressure for reform appears overwhelming, it is not clear that a deal can be done this year. Compromise may prove more elusive in the House of Representatives. Because of the way that congressional districts are drawn, many politicians represent constituencies with large numbers of ethnic minorities or hardly any at all.
Nor is it clear that the Senate plan would bring illegal immigrants out of the shadows. Those who have American children£¨up to 40% of those in California) will be reluctant to “touch-back”. Much will also depend on how many visas are made available to unskilled workers. If there are too few, the supply of immigrant labour will surely continue to meet the demand for it, regardless of what the law says.
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1. From the first paragraph we learn that _______.
A) Californians seldom hire illegal foreign workers unless they get work permits
B) Californian citizens’ attitude towards immigrant workers remains ambivalent
C) it is difficult for immigrants to find a job in California due to the hostility from the locals
D) parents hire Mexican nannies for their kids so that they can learn Spanish at an early age
2. Which of the following statements is NOT true according to the text?
A) There is a possibility that illegal immigrants in America can finally receive legal status.
B) The American immigration policy will be modified to emphasize different factors, other than family bond, of immigration decision.
C) The problem of illegal immigrants will be solved in the near future.
D) Family connection will become not that important in the immigration to U.S.
3. According to the text, _______ will be most likely to be allowed to immigrate to America.
A) those Mexican workers
B) those with college education
C) those who marry American citizens
D) those who are hardworking
4. Which of the following best defines the word “militant” £¨Line 1, Paragraph 4£©?
A) violent
B) carrying guns
C) loving wars
D) frequent
5. What does the last sentence of the last paragraph mean?
A) If there are not enough visas, a lot of people have to “touch-back”.
B) If there are enough visas, every currently illegal immigrant will be legalized.
C) Illegal immigrants who have American children are more easily to receive visas.
D) If there are not enough visas, there will still be a lot of illegal immigrants.
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scrub /skrʌb/ v. ²ÁÏ´£¬²Á¾»
reconcile /ˈrekənsaɪl/ vt. ʹºÍ½â£¬Ê¹ºÍг
impulse /ˈɪmpʌls/ n. ÍÆ¶¯£¬´Ì¼¤
legalisation /ˌlɪ¨Àəlaɪˈzeɪʃən/ n. ºÏ·¨»¯
stockpile /ˈstɒkpaɪl/ n. »ýÐ¿â´æ
petition /pɪˈtɪʃən/ v. ÇëÇ󣬿ÒÇó£¬ÇëÔ¸
priority /praɪˈɒrɪti/ n. ÓÅÏÈ£¬ÓÅÏÈȨ
advocate /ˈædvəkɪt/ n. ÌᳫÕߣ¬¹Ä´µÕß
clash /klæʃ/ v. ÃÍײ£¬³åÍ»
elusive /ɪˈljuːsɪv/ adj. ÄѶ®µÄ£¬ÄÑ×½ÃþµÄ
constituency /kənˈstɪtjʊənsi/ n. £¨Ñ¡ÇøµÄ£©Ñ¡Ãñ
ethnic /ˈeθnɪk/ adj. ÈËÖֵģ¬ÖÖ×åµÄ
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Unit 17
His bio reads like a rock star’s. A precocious talent, he never married because, he said, it would have hurt his career. But he moved his girlfriend in with him while he worked his last gig—then died at the age of 37 from a fever brought on, some said, by carnal excess. The great painter Raphael £¨1483-1520£© was one of the big three of Italy’s high Renaissance, along with Leonardo da Vinci £¨whose work he admired and studied closely£© and Michelangelo £¨with whom he carried on a vigorous, if all too brief, competition to be the Vatican’s favorite artist£©. He didn’t seem, however, to have a superstar’s attitude. The pope was his patron, and acquaintances described him as “sensible,” “well mannered,” “genial ” and “sweet.” On his deathbed, he bequeathed his mistress enough money to live “honorably” for the rest of her life. And he painted her portrait—one of the great paintings of all time, right up there with the “Mona Lisa”—as a final, loving tribute.
At least that’s how the legend goes. That portrait—which is touring the United States for the first time—constitutes a one-picture exhibition at the Frick Collection in New York through Jan. 30 £¨it will travel to Houston and Indianapolis£©. Certainly, “La Fornarina”£¨“Baker’s Daughter”£©comes from the hand of the incomparable Raphael. ¢Ù The gently tilting composition is perfect, the color finely balanced and the lady’s skin alabaster and flawless. £¨Raphael got so good with the then new medium of oil paint that his technique became known as sprezzatura, meaning, roughly, to hide with technical facility exactly how anything is done.£©¢Ú In the classic Venus gesture of simultaneously trying to cover up and to showcase her erotic attributes £¨including a belly button under gauze£©, she glances coyly to the side at, one presumes, a lover. “La Fornarina,” the renowned art historian and MacArthur fellow Leo Steinberg explains, “is the closest thing to soft porn in the high Renaissance.” But whether the seminude lady depicted is actually the baker’s daughter who was Raphael’s love remains a mystery.
Is Raphael himself the object of her gaze? Most people—including several British critics reviewing the big Raphael exhibition currently at the National Gallery in London—like to think so. Since live women models weren’t generally available five centuries ago, the reasoning goes, the lady’s posing undressed for Raphael must have been an intimate act. Besides, what else can the artist’s proprietary name on her armband mean? But the experts remain divided. With a fine disregard for attendance-boosting hype, Rome museums commissioner Claudio Strinati £¨“La Fornarina” usually resides at the Palazzo Barberini in Rome£©lays out a less titillating hypothesis in a booklet accompanying the Frick display.
A recent cleaning of the painting reveals a wedding ring on the lady’s left hand; Raphael’s final and most prominent patron, the Sienese banker Agostino Chigi, had just been married to one Francesca Ardeasca. Raphael’s name on the armband, Strinati says, is a tribute to Chigi. He concludes that “La Fornarina” is Ardeasca. Unfortunately, no other portraits of Chigi’s bride exist to confirm the ID. As Steinberg says, “It’s all an attractive myth, and like all myths it depends for interpretation on levels of reliable gossip.” Whatever one believes, “La Fornarina” is still a sweetheart of a painting.
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1. The mystery of the woman lies in her ______.
A) beauty
B) unknown identity
C) seminude body
D) intimate relationship with Raphael
2. It can be inferred from the text that ______.
A) Raphael behaved like a superstar
B) Raphael died young because of overwork
C) Raphael enjoyed greater popularity than Michelangelo
D) one of Raphael’s paintings achieves as great fame as “Mona Lisa”
3. The vivid descriptions of the painting “La Fornarina” show that ______.
A) Raphael is good at soft porn
B) Raphael develops a special feeling towards the baker’s daughter
C) oil paint was not popular then
D) Raphael’s painting technique has reached maturity
4. We can draw a conclusion from the third paragraph that ______.
A) there is sound evidence to believe there exists an intimacy between Raphael and the woman in the painting
B) live women models were nowhere to find in Raphael’s time
C) nude models were easily available in Italy in Renaissance
D) it is generally agreed among experts that the woman is Raphael’s mistress
5. From the text, we can see that the writer ______.
A) shows curiosity towards the identity of the woman in the painting
B) is a Renaissance art historian
C) strongly supports the idea that “La Fornarina” is one of Raphael’s mistress
D) thinks low of Raphael’s technique in the painting
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precocious /prɪˈkəʊʃəs/ adj. ÔçÊìµÄ
gig /¨Àɪ¨À/ n. ΪÉú¼Æ¶ø×öµÄ¹¤×÷
carnal /ˈk¨»ːnl/ adj. ÈâÌåµÄ£»ÐÔµÄ
genial /ˈdʒiːniəl/ adj. ºÍ°ª¿ÉÇ×µÄ
bequeath /bɪˈkwiːð/ vt. ÒÅÔù
alabaster /ˈæləb¨»ːstə/ adj. £¨Æ¤·ô£©¹â»¬Ï¸ÄåµÄ
erotic /ɪˈrɒtɪk/ adj. Ìô¶ºµÄ£»ÐԸеÄ
gauze /¨Àɔːz/ n. ±¡É´
proprietary /prəˈpraɪətəri/ adj. רÓеģ»ËùÊôµÄ
titillate /ˈtɪtɪleɪt/ v. £¨Ê¹£©¾õµÃÑ÷£»Ìô¶º£¬Ê¹ÈËÐË·Ü
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¡¡¡¡Section II Reading Comprehension¡¡¡¡Part A¡¡¡¡Directions£º¡¡¡¡Read the following four texts. Answer the questions after each text by choosing A, B£¬C or D. Mark your answer on the ANSWER SHEET (40 points)¡¡¡¡Text 1¡¡¡¡²Î¿¼´ð°¸£º¡¡¡¡21. A foster a child&s moral development¡¡¡¡22. D burdensome¡¡ ...Ó¢ÓïÔĶÁ ±¾Õ¾Ð¡±à Ãâ·ÑöλÔÓéÀÖ¹Ù·½appÏÂÔØÍø 2018-12-31
