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1)market access:?Êг¡×¼Èë

2)venture investment:?·çÏÕͶ×Ê

3)trade?liberalization:?óÒ××ÔÓÉ»¯

4)ecosystem:?Éú̬ϵͳ

5)artiflcial intelligence:?È˹¤ÖÇÄÜ

6)innovation-incentive ?mechanism:?´´Ð¼¤ÀøÌåÖÆ

7) the Millennium Development Goals:?ǧÄ귢չĿ±ê

8)the Beijing?Olympic Mascots:?¸£ÍÞ

9)cultural heritage:?ÎÄ»¯ÒŲú

10)national treatment:?¹úÃñ´ýÓö

11)NPC:?È«¹úÈËÃñ´ú±í´ó»á£¨the National People’s Congress£©

12)IMF:?¹ú¼Ê»õ±Ò»ù½ð×éÖ¯ International Monetary Fund

13)UNDP:?ÁªºÏ¹ú¿ª·¢¼Æ»®Êð£¨United Nations Development Program£©

14)IAEA:?¹ú¼ÊÔ­×ÓÄÜ»ú¹¹ International Atomic Energy Agency

15)UNESCO:?ÁªºÏ¹ú½ÌÓý¡¢¿Æѧ¼°ÎÄ»¯×éÖ¯£¨United Nations Educational£¬Scientific and Cultural Organization£©

16) ÐÅ ¡¢´ï ¡¢ÑÅ:?faithfulness, expressiveness, elegance

17)??¹¦ÄܶԵÈ:?functional equivalence

18)?ÍÅ ¶Ó¾«Éñ:?Teamwork

19)?ͳ³ï¼æ¹Ë:?give overall consideration; make overall plans and take all factors into consideration; overall consideration and all-round arrangement

20)?×ÔÖ÷´´Òµ:? self-employed

21)?½¨Éè½ÚÔ¼ÐÍÉç»á:?to build the conservation-oriented society

22)?¹«ÒæÐÔÎÄ»¯ÊÂÒµ:?non-profit cultural undertakings

23))´ÓÉÆÈçÁ÷:?follow correct opinions or well-intentioned advice like water flowing swiftly and smoothly downward; follow good advice readily

24)Á½Ôª¾­¼Ã½á¹¹:?dual economic structure

25)?¿Æѧ·¢Õ¹¹Û:? Scientific outlook on development

26)¡° ¡ªÕ¾Ê½ ¡±°ì¹«:?One-stop Service

27)?¸ü¿ì ,¸ü ¸ß ,¸ü Ç¿:?Faster£¬Higher£¬Stronger

28)¼ÓÇ¿ÎñʵºÏ×÷:?strengthen/deepen pragmatic cooperation

29)Éú̬²¹³¥»úÖÆ:?a mechanism for ecological compensation

30)Ç÷Àû±Üº¦:?draw on advantages and avoid disadvantages

A. Honorable Your Excellencies Ministers and delegates,

Honorable specially invited guests of Hong Kong and Macao Special Administration Region governments, Ladies and gentlemen,

I am honored to be present at the Cultural Asia Ministerial Forum along with ministers and delegates in charge of cultural affairs from 23 Asian countries as well as specially invited guests of Hong Kong and Macao Special Administration Region governments. Looking all around, I see not only many acquaintances but also new faces. The cooperation offers us an opportunity to gather, to become acquainted and make friends. The theme of this Cultural Asia Ministerial Forum is ¡°Cultural Asia¡±. Culture resembles a gentle breeze and light rain that nurtures and enriches us; and it also serves as a strong tie that binds and links us.

Entering the 21st century, the whole globe is carrying out discussions on preserving cultural diversity against the background of economic globalization. UNESCO’s Universal Declaration on Cultural Diversity, five international network meetings on cultural policies and two Asia-Europe Culture Ministers Meetings gradually bring home to us the importance of regional cooperation to Asian development and the equal stress on politics, economy and culture. Asian countries therefore commence active explorations in regional cultural cooperation based on log-term bilateral cultural exchanges. Two Meetings of the Asian Ministers Responsible for Culture and Arts and the AMCA Plus Three, two Regional Expert Meetings and three Asia Cultural Cooperation Forums in Hong Kong were held in Asia. The past five years was a development phase of great importance in the world and Asian history of culture and civilization, in which cultural ministers and officials present today participated to varying degrees.

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²Î¿¼ÒëÎÄ£ºWhenever we visit a museum, we see several of ancient bronze mirrors. Used as a household necessity for dressing by the ancient people, these bronze mirrors were mostly unearthed from ancient tombs, while some are kept as heirlooms.

Our ancestors started to use bronze mirrors in as early as the 11th century B.C. During the Warring States period, bronze mirrors prevailed among the populace. The front side of the mirrors, after being polished, glistens while the backside is embellished with single-layered or double-layered patterns, among which the commonly seen are those of animal faces, flowers and leaves, dragons and phoenixes. During the Western Han period, the bronze mirrors used to be relatively thick and heavy. Most of the decorative patterns were of geometrical forms, supernatural figures, or fowls and animals, accompanied by inscriptions of only three or four characters with such meanings as “eternal love”, “never to forget”, “wealth for ever” and “everlasting happiness”. The content frequently dealt with common well washings. During the Song and Yuan Dynasties the bronze mirrors appeared in all shapes: round, rectangular, rhomboidal, octagonal, and those with a handle. Since the Qing Dynasty, however, the bronze mirror has gradually given way to the glass mirror.

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