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The living windmill is not only beautiful but romantic too: a willing, man-serving creature, yoked to the elements, a whirling monster, often a thing of terror. No one can stand very near the crashing sweeps of a windmill in half of a gale without a frightening of the hearta feeling comparable to that which comes from watching the waves break over a wall in a storm. And to be within the mill at such a time is to know something of sounds very sources; it is the cave of noise itself. No doubt there are dens of hammering energy which are more shattering, but the noise of a windmill is largely natural, the product of wood striving with the good sou-wester; it fills the ears rather than assaults them. The effect, moreover, is by no means lessened by the absence of the wind itself and the silent nonchalance of the miller and his man, who move about in the midst of this appalling racket with the quiet efficiency of vergers.

In my mill, of course, there is no such uproar; nothing but the occasional shaking of the cross-pieces of the idle sails. Everything is still, and the pity of it is that everything is in almost perfect order for the days work. The mill one day? some score years agotwas full of life; the next, and ever after, mute and lifeless, like a stream frozen in a night or the palace in Tennysons ballad of the Sleeping Beauty. There is no decayt merely inanition. One or two of the apple-wood cogs have been broken from the great wheel; a few floor planks have been rotted; but that is all. A weeks overhauling would put everything right. But it will never come, and the cheerful winds that once were to drive a thousand English mills so happily now bustle over the Channel in vain.£¨Ñ¡×Ô°®µÂ»ª¡¤·²¶ûÀ­¶û¡¤Â¬¿¨Ë¹×÷Æ·¡¶The Windmill¡·mtizt.com×¢£©

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